Le
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亚历山大·佩恩
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66岁的施密特先生（杰克•尼科尔森 Jack Nicholson 饰）退休赋闲在家，无所事事的生活让他颇感无聊。每天依旧7点起床，可是陪伴他的只是无聊的字谜游戏和令人生厌的妻子，施密特需要找点事来改变自己的生活，于是他打算资助一位坦桑尼亚的孤儿恩度古，并提笔给他写了第一封信。妻子的忽然离世让他的生活显得更加冷清，他曾至开始想念那个乏味的女人，可是就在这时，他在妻子的换衣间里找到妻子和另一个男人的情书。施密特决定独自驾车去旅行，他去了很多曾经生活过的地方，回忆当年感慨良多。在一时冲动亲吻一位有夫之妇之后，他慢慢的原谅了自己的妻子。女儿的婚姻比自己想像的更糟，平庸的丈夫和不可思议的家庭让他对女儿的未来愈加担忧，然而这一切都非他所能改变。旅途中他从未停止给恩度古写信，在信里，施密特详尽的描述着自己的生活和困惑。当施密特参加完女儿的婚礼，回到家时意外的收到恩度古的回信，看着那些简单的文字和恩度古充满童真的图画，施密特忽然泪如泉涌……
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Mark Pavia
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这晚，纽约州又一名机场管理员巴克暴毙在停机坪上，尸体乾瘪瘪的被人完全抽干了所有的血。这一事件震撼了新闻界，因为先前在缅因州也发生了类似的命案，于是，“吸血鬼复活”的传言传遍了美国的大街小巷，一时人人惊慌。这晚，在马里兰州雷雨之夜，身穿漆黑大披风的夜行者再次驾驶飞机犯案，又两位无辜的市民度惨死在他手中，犯案情节竟和《吸血鬼瑞菲》的电影情节一模一样。报社主编莫里森（丹尼•莫纳汉 Dan Monahan 饰）让拥有飞机执照的资深记者理查德（米高•佛瑞 Miguel Ferrer 饰）越州对这一事件进行深入报导，到底还有多少人命丧恶魔之手？
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Ed Hunt
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吉姆是一个学校公认的问题儿，因此受到一个研究机构的“特别照顾”进行心理辅导，殊不知这个机构是由外星人建立起的地球分基地，并且使用一个大脑怪物来控制附近居民的心智，当吉姆意识到这点时一连串追杀随即而来……（这里面的怪物超赞，大脸猫的究级进化版！） 血腥度：3 片中怪物数量：2 怪物类型：外星生物+变异 怪物特点：控制人心智、让人产生幻觉、随着吃人而增大、无处不在 怪物必杀技：幻象术、钢牙铁齿、迷魂大法、超进化 怪物恶心度：4 ————————————by zombiehunter
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Robert Michael Lewis
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Major Palgrave, an idiosyncratic but charming mystery writer, reveals to Miss Marple that one of the guests at a luxurious Caribbean resort they're staying at is a Bluebeard-type wife murderer. Unfortunately, the Major succumbs to an apparently accidental overdose of alcohol and blood pressure medication before revealing the killer's identity. When it's discovered that the medicine belonged to another guest and the revealing photograph the Major was carrying is missing, Miss Marple realizes that the serial killer has struck again and more murders will follow.
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雷蒙德·德·费里塔
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纽约附近城岛的监狱看守文斯（安迪·加西亚 Andy Garcia 饰）瞒着老婆乔伊斯（朱丽安娜· 玛格丽丝 Julianna Margulies 饰）到城里上表演课，梦想成为一名演员。乔伊斯瞒着文斯抽烟，女儿和儿子也都有自己的大小秘密，一家人各自为政。有一天文斯发现新转来的犯人汤尼（史蒂文·斯崔特 Steven Strait 饰）竟是自己遗弃二十多年的儿子。文斯把汤尼带回了家，向所有人隐瞒了事实，希望能利用假释好好照顾这个儿子，让他重返正途。与此同时，在表演课同学莫莉（艾米莉·莫迪默 Emily Mortimer 饰）的鼓励下，文斯参加了一次重要的电影角色面试，没想到这却引起了乔伊斯的误会，造成了家庭危机大爆发…… 本片获纽约曼哈顿特里贝卡（Tribeca）电影节观众票选奖。
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伦·怀斯曼
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狼人和吸血鬼之间的大战还在继续。当麦克尔（斯科特•斯比德曼 Scott Speedman 饰）和西丽妮（凯特•贝金赛尔 Kate Beckinsale 饰）还在企图以自己薄弱的能力阻止这场大战时，阴谋家们的杰作又诞生了――狼人和吸血鬼融合的具有超强能力的种族――“血族”。马克思（托尼•库兰 Tony Curran 饰）便是便是这个种族的第二代。他杀死了父亲，夺取了密钥和西丽妮的记忆，救出了一个是狼人、一个是吸血鬼的被囚禁千年的孪生兄弟，企图一统狼人、吸血鬼和人类三大种族。 麦克尔和西丽妮这对恋人为了爱，他们必须挫败马克思的阴谋、打败囚禁千年的孪生兄弟……
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Irwin Allen
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The boisterous, arrogant professor Challenger, a reputed biologist and anthropologist, dares the London Zoological Society to mount an expedition to verify his spectacular claim, without physical proof, that his previous expedition to the Amazonian basin found live dinosaurs. Apart from him and his 'socialite' counterpart, professor Summerlee, it consists of experienced discoverer Lord Roxbury, the young reporter Ed Malone -who got publicly struck down with Challenger's umbrella at his arrival- and Jennifer Holmes, Malone's news agency's boss's daughter, essentially as conditions for putting up the money. In Brazil they are joined by Jennifer's brother David and local 'guide' Manuel Gomez. They soon discover the dinosaurs are real and dangerous, like giant spiders, but loose their helicopter and thus are desperate for a way down from the isolated plateau. They learn Roxbury knew about the fate of Burton White, an explorer whose diary they find, thus presume to be dead, in search of diamonds, and confirmation of the local tribe being the lethal guardians of the plateau's secrets, but also get surprising help...
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约翰·卡萨维蒂
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萧条的城市里，帮派分子随处可见，担任黑手党会计的杰克因为私吞黑手党财产并向警方告密，而遭到黑手党监视，他一家人被困在公寓中随时会遭遇不测。杰克和妻子将小儿子菲尔托付给单身女邻居葛洛莉（吉娜·罗兰兹 Gena Rowlands 饰），然而他们自己却没能躲过黑手党……欲追回钱款的黑手党继续追索菲尔，但此时，身份并不简单的葛洛莉挺身而出，决定保护这个陌生的男孩。二人在黑手党的包围中侥幸逃走，声称厌恶孩子的葛洛莉与英语不甚流利的混血男孩在步步惊心的旅途中营造了互信与默契，但葛洛莉清楚，真正的把菲尔从黑手党手中解救出来需要她做出一个惊险的决定……
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尼尔·马歇尔
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《触目惊森》故事讲述一队英军六人特种部队被委派特别任务，前往苏格兰一处人迹罕至的森林，作一次野外预习。其间赫然发现另一部队全军惨死林野，血迹斑斑死状恐怖，此时众人大惑不妙，心胆俱裂之际，哀号之声不绝于耳，暮色徐徐挂上，一场狂林厮杀立即展开！面对手段凶残的敌人，为求一线生机，队员都显得越战越丧，几近疯狂。正当生死存亡之时，一名神秘女子却出手营救，藏身山林中的小屋，此时武器弹药将尽，屋内各人身心俱疲，进与退同样困难之时，大家开始怀疑…这个以血肉填满的死亡陷阱究竟有没有出口? 《触目惊森》上映一天已创下英国恐怖片最高开画票房纪录，横扫法国票房，深获欧洲各界影业人士一致赞好，被评为最有风格最狂最丧的恐怖经典，骇人画面藏着一股狂暴的张力，紧贴迫近。 导演尼尔马素(Neil Marshall) 更凭此片勇夺卢森堡国际电影节Luxembourg International Film Festival及布鲁塞尔奇幻电影节Brussels International Film Festival Of Fantasy Film共三项最高荣誉金奖及观众大奖。
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Edward L. Cahn
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Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
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Seth Holt
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佩妮（苏珊·斯塔丝伯格 Susan Strasberg 饰）的父母在她很小的时候就离婚了，一直以来，佩妮都跟着母亲生活。一场意外夺走了母亲的生命，于是，孤苦无依的佩妮接受了父亲的邀请，前去和父亲以及继母一起生活。然而到了父亲家，佩妮却发现在那里的只有继母一人，虽然这个女人表现得非常的和善与热情，但佩妮还是对她充满了戒备。 继母家里发生的各种诡异的事情，以及始终下落不明的父亲让佩妮的神经越来越紧张，渐渐地，她开始分不清，在这里经历的一切，究竟是不是自己的幻觉。很显然，继母也希望佩妮产生这让的自我怀疑。
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Buddy Cooper
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A group of teenagers decide to take a vacation at the beach house of one of their fathers. The kid whose father owns the house just happened to accidentally kill his mother when he was a child. When they get to the house, the father has mysteriously disappeared.
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皮特·沃克
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A quick glimpse at the cast for this film would make any horror fan giddy with glee. The actual movie doesn't live up to those high expectations, but it's far from being all bad. Desi Arnaz Jr. (!) plays an author who makes a crazy $20,000 bet with his publisher that he could write a great novel in only 24 hours. To do so, the publisher gives him the keys to an old abandoned house where he won't be disturbed. Not true. Once he gets there he is interrupted by a multitude of guests including a family which consists of John Carradine, Sheila Keith, Peter Cushing and Vincent Price. They are gathered there in a twisted family reunion to release their brother from the room he's been imprisoned in for forty years. Even Christopher Lee drops by as Corrigan, the man who has just purchased the house. Soon, they realize that the caged brother is loose and out for revenge. What a great plotline and what a dream cast! This movie should have been a hell of a lot better. It's hard to pinpoint the exact problems with the film, but I would venture to say that the lack of lighting was a major fault. Sure the house has no electricity but I think they took the title of the movie a little too literally. Scenes after scenes are barely visible and the actors' faces are undecipherable. Only the moments in the main dinning hall are well lit. Also, the great actors are given very little to do. Cushing gets a few chuckles as the scared brother but Price, Lee and especially Carradine are somewhat wasted here. Well, at least Price gets the best line of the film: `Please don't interrupt me while I am soliloquizing.' And on the plus side, the story has enough twists and turns throughout to keep one`s interest and the ending, while a bit of a cop-out, manages to surprise.
