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保拉·艾瑟特 ,托娅·刘易斯
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An alarmingly disproportionate number of Black women are failed every year by the U.S. maternal health system. Shamony Gibson and Amber Rose Isaac were vibrant, excited mothers-to-be whose deaths due to childbirth complications were preventable. Now, their partners and families are determined to sound a rallying cry around this chilling yet largely ignored crisis. Directors Paula Eiselt and Tonya Lewis Lee follow Gibson’s and Isaac’s bereaved partners, Omari Maynard and Bruce McIntyre, as they fight for justice and build communities of support, bonding especially with other surviving Black fathers. Their tragic, individual experiences are punctuated with condemning historical context, showing that gynecology has a long-standing history of exploiting and neglecting Black women in America. In the arresting words of mother-to-be Felicia Ellis, “A Black woman having a baby is like a Black man at a traffic stop with the police.” She emphasizes that paying attention is paramount. Aftershock brings an unsettling reality to the forefront while uplifting the families, activists, and birth workers who are striving to bring institutional change and legislative reform. These mothers will not be forgotten.
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R·巴尔基
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在一架飞机上,基雅(卡琳娜·卡普尔 Kareena Kapoor 饰)邂逅了名为卡比尔(阿琼·卡普尔 Arjun Kapoor 饰)的男子。让基雅感到意外的是,这个看上去铁骨铮铮的硬汉,竟然眼泪汪汪的害怕的簌簌发抖。原来,卡比尔害怕坐飞机,每次坐飞机的时候都是母亲安抚着他的情绪,然而故人已逝,卡比尔不禁触景生情。 为了安慰卡比尔,基雅紧紧的握住了他的手,一段浪漫的恋情就此拉开序幕。没过多久,基雅和卡比尔就决定携手步入婚姻的殿堂,可是,他们在家庭里所扮演的角色却仿佛调了个个儿,基雅每日出门工作赚钱养家,而卡比尔则坐镇家中主持家务。他们的朋友和家人们会怎样看待这段逆转的关系呢?
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Bomani J. Story
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It tells the story of teenage anti-hero, Vicaria, who is on a desperate quest to cure death.
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爱丽丝·特劳顿
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Unable to find inspiration for his newest piece, young author Liam (Daryl McCormack) takes on the titanic weight of tutoring the son of legendary writer J.M. Sinclair (Richard E. Grant) and his wife Hélène Sinclair (Julie Delpy). Reeling from the mysterious passing of their eldest son, the Sinclairs push Liam to work harder and invite him to stay on the estate grounds with them. Soon enough, lies big and small unfurl as a well-intentioned exercise quickly transforms into a saga of lust, betrayal, jealousy, and the quest for legacy-defining relevance. A battle of wits begins with everyone carrying much to lose. Delpy, Grant, and McCormack all make triumphant returns to Tribeca in a drama bubbling with explorations of authorship and the inextricable link between family, no matter how broken. Thrilling and darkly comedic, the project questions the efficacy and sour ethical dynamics which may arise from mentorship and the tenuous hopes and dreams many wrap around that very concept.






























