Ér
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让-马里·斯特劳布
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转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
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莉莉·菲妮·扎努克
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Raynor is an undercover narcotics cop. For his next assignment he chooses the more inexperienced but tough and good-looking Kristen. Their ultimate target is Gaines, a renowned but very elusive drug dealer. While doing their work they unexpectedly fall into a morase of drug-addiction and fall in love with each other. Despite subjecting themselves to the life of low class, one track junkies they do not get the evidence they want to convict Gaines, and instead are forced into using false evidence in court.
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Kunal Koh
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Raj总有个童年时期的朋友Tina不如他,但Tina的最好的朋友Pooja总比他强。当Raj的全家移民到英国后开始到互联网生意, Raj许诺Tina他与她将保持联系,他们的友谊地久天长。然而Tina忽视他,不回他的电子邮件,但是Pooja却回了他的信并以Tina的名义和他保持联系。十五年后,他们的友谊通过电子邮件开花结果了, Raj相信他认识的Tina,其实是Pooja。他全家决定回到印度带两周度假,当Tina发现了真相,他们决定一起扮演。当Raj到了印度,他被Tina的美丽深深的迷住了,但是却十分欣赏Pooja的个性。他将选择谁呢? Raj, Pooja and Tina are childhood friends. While Raj has always been attracted to the vivacious Tina, he is completely unaware of the quiet Pooja's feelings for him. When Raj's family move to England to get involved in an internet business, Raj promises Tina that he will keep in touch with her and that their friendship will always be forever. However Tina disregards him and chooses not to respond to his first e-mail, in turn Pooja decides to keep in touch with him but signs under Tina's name. Fifteen years later, and their friendship has blossomed via e-mail, Raj believing that he's getting to know Tina when it's really Pooja. His family decides to go back on a holiday to India for 2 weeks, when Tina discovers the truth about Pooja's e-mails, they decide together that Tina will play along with the charade. When Raj arrives in India, he is struck by Tina's beauty but equally as struck to Pooja's personality. On a coincidence Raj eventually realizes that he had been corresponding with Pooja, and he realizes that Pooja is his true love which forces Tina and her family to accept the fact that Raj and Pooja are suitable for each other and that the two should get marry under any circumstances.
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Samuel Fischer
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Memorial Day, 1993. When 13-year-old Kyle Vogel discovers the World War II footlocker belonging to his grandfather, Bud, everyone tells Kyle to put it back. Luckily, he ignores them. Although Bud has never talked about the war, he finds himself striking a deal with his grandson: Kyle can pick any three souvenirs, and Bud will tell him the stories behind each one. Memorial Day not only takes us on a journey into Bud's complicated wartime past, but also into Kyle's wartime future. As the two men share parallel experiences in combat, they come to realize how that magical day on the porch shaped both of their lives.
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乔·舒马赫
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公关人员斯图(柯林•法瑞尔 Colin Farrell 饰)在外面瞒着妻子有一个秘密情人,为了躲避妻子的电话单检查,这天他又偷偷溜到街上公用电话亭准备打电话约会情人。不料,在他进入电话亭的一刹那,电话铃响了。虽然不知是谁打的电话,出于习惯,斯图拿起了听筒。 阴沉单调的男 声随即响起,警告斯图不要挂掉,否则将血溅街头!斯图当然没有理会这恶作剧般的警告,正要走出电话亭。这时,一声枪响,一名路人已经倒在地上。斯图吓得魂飞魄散,动也不敢动。 警察闻讯而来,然而他们对斯图的解释怎么也不相信,斯图还成了枪击案的主要嫌疑人。一时间,全城轰动,斯图的妻子和情人都闻讯赶来了……
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米盖尔·阿尔特塔
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贾斯汀(詹妮弗·安妮斯顿 Jennifer Aniston 饰)和菲尔(约翰·C·赖利 John C. Reilly 饰)是一对结婚多年的夫妻,两人的感情早已名存实亡,菲尔沉迷于毒品和酒精之中,整天和损友布达(蒂姆·布雷克·尼尔森 Tim Blake Nelson 饰)厮混在一起。毒品的副作用让菲尔患上了不育症,贾斯汀想要成为一个母亲的愿望被无情的剥夺了。 一个名叫霍尔顿(杰克·吉伦哈尔 Jake Gyllenhaal 饰)的年轻男孩的出现吸引了贾斯汀的注意,霍尔顿特立独行的生活方式让贾斯汀深深的为其着迷,随着时间的推移,他们之间的关系终于超越了单纯的友谊。布达发现了贾斯汀和霍尔顿之间的私情,于是开始了对于贾斯汀的漫长的敲诈,更糟的是,在此节骨眼上,贾斯汀发现自己有喜了。
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Pedro Costa,Thierry Lounas
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Six unused scenes from WHERE LIES YOUR HIDDEN SMILE? One of the more priceless of the "bagatelles" in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.
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安东尼·曼
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大量假钞正泛滥成灾,令美国财政部大为震惊。伪钞的质量异常高,使用了专业雕刻的模具,以及和真正的美钞几乎无法区分的优质纸张。财政部要求丹尼斯·奥布莱恩(Dennis O'Keefe 饰演)进行秘密调查,并潜入一个底特律帮派,该团伙被认为是假钞集团的罪魁祸首。奥布莱恩与新婚的特派员安东尼·吉纳罗(Alfred Ryder 饰演)合作,两人伪装成罪犯,以Vannie Harrigan 和 Tony Galvani 的身份潜入底特律黑帮组织。奥布赖恩追查了一位名叫谋士(Schemer)(Wallace Ford 饰演)的重要人物,并进一步发现了更大的秘密。
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安吉丽娜·朱莉
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丹尼尔(戈兰·科斯提 Goran Kostic 饰)和艾拉(扎娜·马加维克 Zana Marjanovic 饰)是一对感情非常要好的情侣,然而,两人所属的种族之间所发生的激烈冲突令这对恋人渐行渐远。和艾拉分开之后,丹尼尔追随这自己的父亲那波撒(拉德·舍博德兹加Rade Serbedzija 饰),成为了隶属于塞尔维亚军队的一名军官。 某日,丹尼尔奉命将两个女人和一个刚刚降生没多久的婴儿从公寓里赶走,让他没有想到的是,这其中一个女人竟然就是艾拉,而另一个,是艾拉的姐姐莱亚。这次意想不到的重逢彻底动摇了丹尼尔的信念,他内心里对于艾拉的感情死灰复燃,两人陷入了暧昧不明的纠葛之中。
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茂文·勒鲁瓦
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故事发生在一座南方小镇之中,年轻的女学生玛丽(拉娜·特纳 Lana Turner 饰)的被害震惊了整个小镇,检察官安迪(克劳德·雷恩斯 Claude Rains 饰)接手了此案,并且最终将嫌疑人的目标锁定在了玛丽的男友乔伊、校长巴克斯顿和门卫维恩的身上。安迪一直野心勃勃的想要竞选州长,他将这起案件当做是自己平步青云的垫脚石,然而,这三个嫌疑人,无论最终凶手是哪一个,都不足以令这起案件轰动整个州,于是,安迪决定为案件再找一个嫌疑人,他将目标锁定在了来自北方的青年教师罗伯特(爱德华·诺里斯 Edward Norris 饰)的身上。 罗伯特虽然在这座小镇已经生活了许久,但始终觉得自己和这里的环境格格不入,当他盘算着离开这里,返回北方的同时,他并不知道,不幸的阴云早已经笼罩在了他的头顶。
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Mark Pellington
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故事讲述4个遭遇中年危机的老友一起逃离沉闷的生活,来一场堕落的聚会…… 理查德、罗恩、提姆和乔纳森自从大学时代开始就是好朋友。他们每年都会找出一个周末来办一个派对,以庆祝他们之间的友谊,并和好便宜保持联系。在表面上,这四个好朋友和所有人一样普通而且正常:他们都有自己的工作和家庭,都有自己的责任和义务。 可是,当着四个男人聚在一起的表面上搞"联谊"的时候,他们却在一起进行"堕落的享受"。在聚会上,美女、酒精和毒品轮番上阵,而这四个男人似乎也能从中找到快乐。只不过,这种享乐的行为终将会为他们惹来不小的麻烦。
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竹内敦志
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《质量效应:迷途英雄(Mass Effect: Paragon Lost)》是一部外传性质的《质量效应》剧场版动画。主要讲述了普洛仙的来龙去脉还有Prinze Junior的故事。 《质量效应:迷途英雄》是根据系列最新作《质量效应3》的前传进行改编,游戏中的新角色联盟陆战队的詹姆斯·维加(JamesVega)将成为本剧场版动画的主人公。他率领一支精英特种小队与神秘的外星威胁 The Collectors作战。在遥远星系的一个殖民星球上,外敌入侵捕捉大批平民用作未知目的,James Vega 和小队需要保护平民撤离......动画将于年内上映。 动画由享誉国际的知名日本动画公司Production I.G负责制作动画,监督由竹内敦志所担任。竹内敦志此前曾参与制作动画《GHOST IN THE SHELL》、《空中杀手》等作。
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威廉·弗莱德金
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22岁的毒贩克里斯(埃米尔·赫斯基 Emile Hirsch 饰)欠了一屁股债,高利贷主正威胁要追杀他。为保性命,他想到了唯一的办法,就是谋杀亲母阿黛尔以赚取高额保险,并联合了父亲、继母和妹妹多蒂(朱诺·坦普尔 Juno Temple 饰)一起瓜分这笔横财。然而克里斯不愿自己动手,遂瞄准了专业杀手乔(马修·麦康纳 Matthew McConaughey 饰),然而乔只做买卖不做慈善,筹不够钱不会动手。束手无策之时,克里斯只好先把妹妹暂时当“订金”交给乔。本以为万事办妥,只等坐收巨款的克里斯,却没想到事情竟往戏剧化的方向发展而去…… 本片曾获土星奖最佳独立电影、最佳男主角、最佳导演、最佳女配角、最佳编剧奖。
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安德鲁·伯格曼
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查理(尼古拉斯•凯奇)是个善良、温和、喜欢孩子的好警察,却有一个虚荣自私的妻子,他们像所有不搭调的夫妻一样吵闹不断,但是查理总是忍让。一天查理的妻子说梦见父亲并认定有特殊含义,叮嘱查理买彩票。善良的查理在早餐中没有钱付给伊娃小费,就约定如果彩票中了奖就一人分一半,如果没中奖则第二天来把小费补上。没有当真的伊娃没料到奇迹的事情发生了,查理的彩票一下子中了四百万美元巨奖!信守承诺的查理把一半的奖金分给了伊娃,让伊娃从此摆脱了破产穷困的生活,尽管惹来妻子的牢骚不满。晋身富豪的妻子在上流社会谈笑风生,而查理与同样善良热情的伊娃越走越近。妻子把二人告上法庭,要回属于自己的财产,查理与伊娃败诉。打算离开这个城市的二人最后一夜在自己的咖啡店相处,给了雨夜中毫无分文的黑人一碗热汤。这个在纽约城打拼了十年的黑人记者把这一夜的经历写在报纸上,全纽约城的人都知道了这对善良人的故事,纷纷给他们寄来自己的小费。信件如雪片,查理和伊娃靠着全纽约城善良人们的小费,赎回了自己的咖啡店,过上了幸福的生活。
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Rahul Rawail
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维嘉(沙鲁克·汗 Shah Rukh Khan 饰)是一位事业有成的青年企业家,一次偶然中,他邂逅了名为西瓦尼(玛杜丽·迪克西特 Madhuri Dixit 饰)美丽空姐,西瓦尼的温柔和善良深深的吸引着维嘉让他坠入了情网,可是,就在维嘉准备去向西瓦尼提亲之时,他发现西瓦尼已经和一个名为阿肖克(迪帕克·提卓瑞 Deepak Tijori 饰)的飞行员携手步入了婚礼的殿堂。 失去了西瓦尼,维嘉的生活陷入了绝望之中。当他以为自己终于能够走出感情的阴影时,西瓦尼和阿肖克带着他们可爱的女儿再度出现在了维嘉的生活中。维嘉发现自己依然深深的爱着西瓦尼,于是想尽一切办法接近和追求她。
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Paul Czinner
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1954年指挥大师富特文格勒在萨尔茨堡音乐节上,指挥维也纳爱乐乐团,上演莫扎特的经典歌剧《唐•乔万尼》,这个珍贵的录像堪称富特文格勒留存至今最完美的影像资料,来自当年奥地利导演保罗•齐纳尔的努力,不计工本,用彩色电影胶片拍摄整个歌剧的演出,由著名的意大利男低音西耶皮演唱剧名主角,瑞士女高音德拉.卡萨演唱艾尔薇拉,堪称一时之选。卡司如下: Otto Edelmann...Leporello - Bass Elisabeth Grümmer...Donna Anna - Soprano Cesare Siepi...Don Giovanni - Bariton Dezsõ Ernster...Commendatore - Bass Anton Dermota...Don Ottavio - Tenor Lisa della Casa...Donna Elvira - Soprano
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约翰·麦克诺顿
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维恩(罗伯特·德尼罗 Robert De Niro 饰)是警局里的采证专家,个性温和而又善良的他从来不会在犯罪现场开枪,每当遇到对峙,他总会选择智取而非武力。一场意外中,维恩认识了黑社会老大法兰克(比尔·默瑞 Bill Murray 饰),法兰克对于维恩的智慧十分的赞赏,一来二去之中,两人成为了好友。 为了报答维恩的救命之恩,法兰克选中了自己的俱乐部中的一名酒保格罗丽(乌玛·瑟曼 Uma Thurman 饰),将格罗丽作为礼物送给维恩,在一个星期的期限里,维恩可以随意的“使用”格罗丽,无论用她来干什么。然而,维恩在无数个选择中选了最糟的那一个,他爱上了格罗丽。
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Jeremy Regimbal
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小女儿意外身亡,马克·休斯(祖舒华·克洛斯 Joshua Close 饰)带着妻子玛丽(塞尔玛·布莱尔 Selma Blair 饰)、儿子布兰登(奎恩·罗德 Quinn Lord 饰)驱车来到位于偏远山间的私宅,试图让短暂的假期弥合心头的伤口。不过他们的宁静很快被邻居萨卡斯基一家打破。相对于依然沉浸在悲伤中且有些疏离冷漠的休斯夫妇,萨卡斯基家的男主人鲍比(詹姆斯·达西 James D’Arcy 饰)和妻子珍(蕾切尔·敏纳 Rachel Miner 饰)显得有些过分热情,他们主动要求登门拜访,期间问东问西,令气氛诡异紧张。直到布兰登和鲍比的儿子杰瑞(阿莱克斯·费瑞斯 Alex Ferris 饰)发生冲突,别扭的家庭聚会戛然中止,不欢而散。 然而对于休斯一家来说,真正的噩梦才刚刚开始……
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Gerry O'Hara
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This film, very much of its time shows London in the early 1970's. Of course now a different world. Note the old fashion Underground ticket machines, and the Black and White Telly in the flat. The location looks very much like Churchill Gardens, Pimlico, with Battersea Power Station in the background. And, plenty of smoking going on, in pubs, and on the tube. The film is strangely sexy in its own way, with the young girl playing along with the much older man, its really a sexual fantasy come true. It is another one of those British low budget film where the low budget adds to rather that take away value. Watch for fun, which is what it is.






























